Richard Roth

Camarillo, California, USA

  • Speed Bump

    acrylic on birch plywood panel 30.5 x 20.5 x 10 cm 12 x 8 x 4 in 2015

  • Slow Children 3

    acrylic on birch plywood panel 30.5 x 20.5 x 10 cm 12 x 8 x 4 in 2015

  • White Lightning

    acrylic on birch plywood panel 30.5 x 20.5 x 10 cm 12 x 8 x 4 in 2015

  • Slap Happy

    acrylic on birch plywood panel 30.5 x 20.5 x 10 cm 12 x 8 x 4 in 2014

  • Moonlight Saving Time

    acrylic on birch plywood panel 30.5 x 20.5 x 10 cm 12 x 8 x 4 in 2013

  • Still Pairing

    acrylic on birch plywood panel 30.5 x 20.5 x 10 cm 12 x 8 x 4 in 2013

  • Crawl Space

    acrylic on birch plywood panel 30.5 x 20.5 x 10 in 12 x 8 x 4 in 2012

  • Old Stogies

    acrylic on MDF panel 29 x 20.5 x 10 cm 11 3/8 x 8 x 4 in 2012

  • Painter's Block

    acrylic on birch plywood panel 30.5 x 20.5 x 10 cm 12 x 8 x 4 in 2012

  • Under the Influence

    acrylic on birch plywood panel 30.5 x 20.5 x 10 cm 12 x 8 x 4 in 2012

  • Blue Rhino

    Flashe on birch plywood panel 29 x 20.5 x 10 cm 11.38 x 8 x 4 in 2011

  • Full Cleveland

    Flashe on birch plywood 29 x 20.5 x 10 cm 11.38 x 8 x 4 in 2007

  • Happy Hour

    Flashe on birch plywood 29 x 20.5 x 10 cm 11.38 x 8 x 4 in 2008

  • Mean-Eyed Cat

    Flashe on birch plywood 29 x 20.5 x 10 cm 11.38 x 8 x 4 in 2007

  • Hilti

    Flashe on birch plywood 29 x 20.5 x 10 cm 11.38 x 8 . 4 in 2007

  • Angelina

    Flashe on birch plywood 29 x 20.5 x 10 cm 11.38 x 8 x 4 in 2007

  • Royal Mail

    Flashe on birch plywood 29 x 20.5 x 10 cm 11.38 x 8 x 4 in 2007

  • Cowboy Magic

    Flashe on birch plywood 29 x 20.5 x 10 cm 11.38 x 8 x 4 in 2006

At present, painting for me is like returning home. I painted for many years, then for approximately ten years my practice became more conceptual—creating collections of contemporary material culture. I returned to painting in 2006 with a renewed and revitalized interest, fueled by conceptualism and informed by postmodern attitudes.

Geometry as an armature for abstract form-making is useful in its traditional role of composition building, and for messing with perception, but for me now it is more valuable for the varied and charged references it is capable of conjuring.

contact & information

more information about the artist
richardrothstudio.com

email Richard Roth
[email protected]

Copyright © 2005-2015 GEOFORM. All Rights Reserved.
All text and artwork reproduced by permission of the artists.

site by Massive Ant